Bowscapes Project 2

If you haven’t yet listened to the Bowscapes Project 2 compilation in memory of Jürgen Bräuninger find it here. My piece in tandem explores how the bow can be manipulated into disparate threads which travel alongside each other, moving in and out of context to their surroundings. I use various recordings made by Cara Stacey in 2014 and 2017 on the umrhubhe and umqangi bows.

'Strength'

Check out my latest sound job for the lovely animator Helena Kampen
Funded by Adobe Creative residency.

Watch Strength here


LIKE THE GRASS ATELIER NOW LIVE

Like the Grass Atelier is a collaborative online ‘open studio’ shared by a quartet from South Africa, Switzerland and Germany. The Like the Grass ensemble consists of guitarist Beat Keller, violinist Galina Juritz, harpist Antonia Ravens, and pianist and musical bow player Cara Stacey. As Covid-19 has prevented the group from meeting up and performing together in the past year, Like the Grass Atelier serves as a digital tour through which these improviser-producer-composers create music together and for each other, from their respective cities. Each week (for four weeks in May and June 2021), a new piece of music and accompanying film will be released continuing their exploration of place, musical process, chance, and structure. 'Part One: Process (with a tip of the hat to Brian Eno)' explores the interior world of making: How do ideas germinate? How do we make decisions about sound? How do these sounds find a home in broader structures? For improvisers and composers, the process of collaboration is often unpredictable, humorous and vulnerable, as we step together into the unknown.

New Animation for the IRC

Another collaboration with Jocie Juritz for the International Rescue Committee.

These are the words of Audrey, Baimba and Hassan who, despite everything they’ve been through, have found the courage within themselves to continue on.

Along with hundreds of other refugees, they’ve received mental health support from the IRC whilst living in Greece’s overcrowded camps. They’ve confronted the traumas of the past whilst living in conditions that no one should have to endure.

You can learn more about Audrey, Baimba and Hassan's stories here - rescue-uk.org/courage-to-continue

This piece was made in collaboration with Pal.
pal.tv/#/

Client - International Rescue Committee
Produced by - Pal TV
Direction/Animation - Jocie Juritz
Animation - Shuna Luo
Colouring - Daria Zadęcka & Hannah O’Brien
Sound/Music - Galina Juritz


'TRIPLE BLUFF' BY HESITATION OUT TODAY!

"Triple Bluff" is the second LP by Kit Supergroup HESITATION, comprised of Chris Catlin (Reckno / Yaaard), Richard Greenan (Devon Loch / Devonanon), John B McKenna (Undermedvetenheten), Galina Juritz (Stacey Juritz Ravens Keller) and Francis P Brady (Frand).

Open the scrapbook and catch tumbling, Velvets-esque guitar, deep (no)thinking kraut gold and tear-soaked fine line sax that might see Alabaster DePlume nod in approval. A cacophony of clipped ambitions, whittled down scratches and smiling lamentations.
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Triple Bluff was recorded live over a rambling, three day residency at the Malmö Inter Arts Centre, in Sweden. Recommended for fans of early Kraftwerk, Spacemen 3 and Galaxie 500.

Triple Bluff by HESITATION, released 01 August 2020 1. Sapling 2. Outrageous Dive 3. Aviary 4. Mantra 5. Three Brains Thinking as None 6. Martha's Presence 7. Kingdom 2020: the year we stayed at home and went #nuts finishing releases!

'Like The Grass' now available for pre-order!

https://kitrecs.bandcamp.com/album/like-the-grass

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Like the Grass documents and reimagines a warm summer’s evening in Basel, Switzerland. In June 2018, four musicians convened: Johannesburg composer and bow expert Cara Stacey, South African violinist and composer Galina Juritz, German harpist Antonia Ravens and Swiss guitarist and sonic explorer Beat Keller.

Together they improvised using a graphic score titled “Luhlata njengetjani” (“Green like the grass” in the southern African Siswati language), inspired by the rivers of eSwatini, blackbirds in the parks of Basel and the evocative, red-flowered umcinci or erythrina tree. The South African umrhubhe mouthbow’s dense harmonics folded around skittering, fractal violin loops; temperate swells of guitar were punctuated by agitated harp pings and the hearty thuds of Ugandan and Mozambican lamellophones.

This joyous, unfettered outpouring criss-crossed between southern Africa and Europe, forwards and backwards, for the following two years. Joined by two of their favourite producers in Michael Marshall (Object Agency, Poirier Marshall Partners) and Tom Skinner (Hello Skinny, Okumu Herbert Skinner Trio), Stacey and Juritz turned their attentions to the B side, unpicking the live fruits and arranging four new mosaics - ranging from frenetic techno to fractured R'n'B introspection, via languid hip hop and Cara's rambling, euphoric closer.

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Recorded as part of Cara Stacey’s studio residency in Basel, Switzerland, supported by ProHelvetia Johannesburg.

Mastered by Sam Annand. Design by Rich Greenan. 

credits

releases July 3, 2020